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With the increasing number of recording companies setting up in the region, Phonopaca, the organization of publishers, producers and distributors of musical media based in Provence-Alpes-Côte d’Azur, was created in1998. Phonopaca has now about thirty members which fully represent the recording industry, producers, publishers, recording studios, distributors, concert promoter and booking agency, who provide for the richness and the relevance of the Organization.

Thanks to its positive cultural image, the Provence-Alpes-Côte d’Azur region (Paca), located in south-eastern France, has a wide range of artistic assets and has hosted the Midem, the international music market, in Cannes since 1966.

Faced with this dynamic and with the increasing number of recording companies setting up in the region, Phonopaca, the organization of publishers, producers and distributors of musical media based in Provence-Alpes-Côte d’Azur, was created in 1998 on the initiative of about fifteen people working in the recording industry and the Arcade (regional agency for artistic coordination and development).
Phonopaca has now about thirty members which fully represent the recording industry, producers, publishers, recording studios, and distributors, who provide for the richness and the relevance of the Organization.

Phonopaca’s Board of Directors, composed of recording industry directors who share the same convictions, implements actions for the general interest of Phonopaca’s members.
By its actions, Phonopaca helps its members to develop their structures, maintains the diversity of cultural products in the music market and promotes Paca’s recording industry visibility on the national and international scene.
Additionally, Phonopaca’s members have easier access to several professional trade shows. Phonopaca’s team works in synergy with all the members.

Phonopaca, the organization of publishers, producers and distributors of musical media based in Provence-Alpes-Côte d’Azur operates with the financial support of : the Paca Region, the French Culture and Communication Ministry, the County commission of Bouches-du-Rhône, and the City of Marseilles.

The program of actions is drawn up by the Committee and the Board of Directors, voted during the General Meeting, then coordinated by the Phonopaca’s permanent administrative team.
The Middle East is witnessing the emergence of a new musical wave, various
artists and bands are today socially and artistically engaged in creating a new
Arabic musical identity, an alternative to the exclusive dominance of the POP
Arabic genre.
eka3 is an initiative created by a team of artists: from musicians,
photographers, visual artists to film directors.. Innovators who dream of seeing
their own works achieve their full potential of reach and exposure, and upon
this vision eka3 shares the dreams of musicians throughout the region.
The Vision
eka3 is dedicated to modernizing and popularizing smart Arabic music; not
music that plays in the background during dinner; music that grabs your
attention, moves your senses, and provokes your thought. Whatever the genre
may be, we seek the original, the rich, and the Arabic.
What We do
We provide a wide range of services that cater to our vision, including music
direction, product/album invention and management, artist marketing and
promotion, as well as event creation and artist booking in several cities across
the Middle East.
Throughout our network of offices and teams we have also become the first
and only regional, yet local distribution company dedicated to this music niche,
working closely with a daily-growing list of outlets of all shapes and forms to
optimize the sales process and yield maximum output to our diverse list of
clients, including artists, labels, and other distribution companies.
Operating from Amman, Jordan, with offices in Cairo, and Beirut.
 
 
 
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This document has been produced with the financial assistance of the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures. The contents of this document are the sole responsibility of Hungarian Museum of Trade and Tourism and can under no circumstances be regarded as reflecting the position of the Anna Lindh Foundation.
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