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POSTED BY: Cremm Network --- September 28th 2009
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Samir Fejzic, composer and pianist, born in Sarajevo (Bosnia and Herzegovina), studied composition at Music Academy in Sarajevo, where he graduated in 1998. Currently he teaches renaissance and baroque counterpoint at Secondary Music School in Sarajevo. His work is characterized by different influences, variety of styles and the constant try of assimilation of classical vocal styles, traditional folk music and contemporary techniques into his compositions under the personal perspective. His interest for vocal music resulted in writing of a book Vokalni kontrapunkt, which he finished in September 2003. and was published by Svjetlost in Sarajevo. He is also co-author of the book Bosnian Songs for Voice and Piano. Simultaneously with composing and lecturing Samir performs as a jazz pianist and till the moment he recorded couple of TV shows (“Jazz in action” for Bosnia and Herzegovina TV), three CDs, he would accentuate the album Vintage, performed with Swedish singer Karolina Ollinen. Remarkable part of his energy is focused on preserving traditional Bosnian musical inheritance: he arranged and stylized numerous amount of traditional Bosnian tunes. For his work he got recognition of wide audience at home and abroad and received several awards, the most important Charter, in 2001, attributed by Association of Music Educators Federation of Bosnia and Herzegovina for his arrangements in the project Bosnian songs for voice and piano.
In 2008 he founds "Samir Fejzic band”, with whom, in year 2009th, published a new album called "Bosnian Songs For Voice And Trio” (traditional Bosnian songs called sevdalinka, stylized in the manner of jazz and modern classics). Currently performs at events such as the Sarajevo Film Festival, Novogradski dani, the International Festival Sarajevo Winter etc.
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Carlo Cimino
16.03.1977

doublebass
electric bass

Live activities  in Italy and abroad with several groups: jazz, rock, creative music, ethnic with:  David Murray, Dave Burrell, Kent Carter, Baba Sissoko, Lutte Berg, Sandro Satta, Nicola Pisani, Marco Sannini, Davide Santorsola, John Serry, Antonio Dambrosio, Felice Mezzina, Gianni Lenoci, Roberto Ottaviano, Pippo Fumaroli, Checco Pallone, Cataldo Perri, Mirko Onofrio, Massimo Garritano.

Festivals:
Intenational Youth Jazz Festival, 50° Anniversario F.A.C.A (Buenos Aires), Radio Vaticana, Catanzaro Jazz Fest, Cosenza Jazz Fest, Lamezia Jazz, Rumori di fondo 2007, Dvorak Jazz Meeting 2009, Invasioni (Cosenza), San Giuseppe Rock, Peperoncino Jazz Festival, Settembre Rendese.

 

 

 

work experience


Teaching experiences to any aged people. Subjects: musical theory, electric bass, doublebass, improvisation.


Dates
14-19 July 2008  -  20-25 July 2009
Occupation or position held
Tutor
Main activities and responsibilities
Music lessons (electric bass, ear training)
Name and address of employe
Paola in Jazz


Dates
A.A. 2006/2007 - A.A. 2007/2008 - A.A. 2008/2009
Occupation or position held
Tutor
Main activities and responsibilities
Music lessons (electric bass)
Name and address of employer
Conservatoy of Music “S. Giacomantonio”. Via Portapiana Cosenza

 

 

Education and training

Dates
16-20 November 2009
Principal subjects/occupational skills
Hocus Pocus Lab Orchestra. Laboratory of composition and improvisation.
Teachers: Kent Carter, Gianni Lenoci
Name and type of organisation providing education and training
Conservatory of Music “Nino Rota” Monopoli (Bari)


Dates
13-14 November 2009
Principal subjects/occupational skills
Jazz Workshop. Teacher: Marc Bernstein
Name and type of organisation providing education and training
Conservatory of Music “S. Giacomantonio” Cosenza


Dates
17-18 June 2009
Principal subjects/occupational skills
Jazz Workshop. Teacher: Maria Pia De Vito
Name and type of organisation providing education and training
Conservatory of Music “S. Giacomantonio” Cosenza


Dates
 02-03 of may 2006 / 07-08 of july 2006
Principal subjects/occupational skills covered
Stage and performance. Jazz ensemble. Teachers: Nicola Pisani, Davide Santorsola.
Name and type of organisation providing education and training
Conservatory of Music “S. Giacomantonio” Cosenza


Dates
 22.04.2006
Principal subjects/occupational skills covered
Stage. “ jazz sructure and ensemble”.
Teachers: Alessio Menconi, Riccardo Fioravanti, Stefano Bagnoli
Name and type of organisation providing education and training
Cultural association Universound


Dates
From Jenuary  to April.2005
Principal subjects/occupational skills covered
Stage on musical journalism.
Teachers Vincenzo Martorella, Luciano Vanni
Name and type of organisation providing education and training
Jazz-it. Italian Jazz Magazine. Luciano Vanni Editore. Collescipoli (Terni)


Dates
2005
Title of qualification awarded
Teacher
Principal subjects/occupational skills covered
Degree in Double bass. Vote 8,50/10
Name and type of organisation providing education and training
Conservatory of music “S. Giacomantonio” Cosenza


Dates
20-30.August.2004
Principal subjects/occupational skills
International improvement stage. Double bass. Teacher: Ubaldo Fioravanti
Name and type of organisation providing education and training
Fondazione musicale Santa Cecilia. Portogruaro (Venezia)


Dates
27.12.2004
Principal subjects/occupational skills
Brasilian guitar seminary. Teacher: Roberto Taufic
Name and type of organisation providing education and training
Cosenza Jazz Festival. Teatro Italia. Cosenza.


Dates
21.05.2003
Title of qualification awarded
Doctor
Principal subjects/occupational skills
Degree in Art, Music and Show. Music branch. Vote 110/110 e lode
Name and type of organisation providing education and training
Literature and Philosophy Department. Università della Calabria. Arcavacata di Rende (Cosenza)


Dates
20-24.Jenuary.2000
Principal subjects/occupational skills
Orchestral stage. Big band “Or-che-strana”.
Name and type of organisation providing education and training
Catanzaro Jazz Fest


Dates
24 July – 07 August. 2000
Principal subjects/occupational skills
International improvement stage. Jazz Double bass.
Teachers: Paolino Dalla Porta, Stefano Zenni, Giancarlo Schiaffini, Bruno Tommaso, Pietro Tonolo.
Name and type of organisation providing education and training
Siena Jazz


Dates
27.06.1999
Principal subjects/occupational skills
Jazz Workshop. Teacher: John Taylor
Name and type of organisation providing education and training
Conservatory of Music “S. Giacomantonio” Cosenza


Other language(s)
Spanish course for strangers. Intermediate level (40 h.)
Languages school Lingua Viva. A Coruña, September 2007
 



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Multi-percussion player and drummer Renzo Spiteri is a sought-after independent musician distinguished by his ability of adapting to a wide range of musical styles - jazz to classical, from solo percussion performances to fusion, contemporary, folk and world music. With a professional music career spanning more than 25 years, he has established himself as a leading percussionist, creative artiste and session musician renowned for staging outstanding live performances in concert halls, theatre productions as well as art exhibitions.

Based in Malta (Europe), Renzo’s concert schedules have taken him on a beautiful musical journey across the globe, from Greenwich Village (New York City) to South Korea. He has performed in major festivals (WOMAD, Festival of the Desert, Musica Viva, PASIC) and theatres, and has worked alongside exceptional musicians to the likes of Trilok Gurtu, N’faly Kouyate (Afrocelt Sound System), Guo Yue, Mercan Dede and Mousse Ndaiye (Youssou n’Dour). Through his ongoing World Music Projects, Renzo regularly engages musicians from various ethnic communities to collaborate and create unique musical dialogues. These cross-cultural exchanges and concerts have consistently mesmerised and intrigued audiences, and in 2008 Renzo was appointed Ambassador for the European Union’s campaign “Year for Intercultural Dialogue”.

His creative and inventive approach to challenging projects has earned him high-profile assignments from local entities, foreign diplomatic bodies and international arts councils. He has scored music for the visitors’ audio guide of Hal-Saflieni Hypogeum, Malta (a UNESCO World Heritage Site), performed the contemporary “Sounds Unlimited” during the Commonwealth Heads of Government Meeting 2005 (presented by The National Arts Council of Northern Ireland and The British Council), presented installation performance “Re:Public” as closing event celebrating Cork (Ireland) as European Cultural Capital, and “Sketches from Home”  performed during the Festival of Cultures in Viareggio (Italy) (by invitation of the Italian Ministry of Culture). Locally, Renzo leads his own Latin Jazz Quintet and works very closely with the contemporary Contact Dance Company (Malta), writing music and performing live on stage with the company in Malta and across Europe. He was also featured on a national level in adverts and campaigns to help raise awareness about social issues (Fairtrade, Iniziamed, Inspire – Foundation for Inclusion) and environmental themes (commissioned by the Ministry for the Environment, Malta).

As an educator, Renzo has collaborated with the music departments at Queen’s University (Belfast), University of Iowa (USA) and China Conservatory of Music (Beijing). His residency/research period at the Sonic Arts Research Centre (SARC) in Belfast (N. Ireland) highlighted his enthusiasm for more contemporary and experimental presentations of percussive music, merging the resonance of “found objects” and more conventional percussion instruments with live-electronic manipulation.

His solo album entitled “This is my language” (2005) is a collection of “sketches” using traditional as well as unconventional percussive instruments, and is described by the artiste as “a personal statement, an inner voyage … like an abstract painting, there to be perceived by every individual”.
Renzo is an internationally endorsed artiste for world leading companies Toca Percussion, Paiste Cymbals and Gibraltar Hardware, and is supported by Yamaha Drums and Olimpus Music (Malta). www.renzospiteri.com 
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The end-of-summer festival organized by the Hungarian Museum of Trade and Tourism took place at the open terrace of the Gödör club, supported by the Anna Lindh Foundation and in accordance with their aims. (www.euromedalex.org).

During the 3-day festival, taking place on August 23-25, 2007, a series of 9 concerts were staged with the participation of 27 musicians from Hungary, and 18 musicians from Jordan, Israel, Italy and Poland. For a few days before the concerts the musicians took part in workshops organized at different locations. At these workshops Arabic and European music was thematized in the following 4 groups: Jewish-Arabic Music, Women in Music, Gipsy Music and Jazz Fusion. The musicians formed four groups, one corresponding to each theme, and were supported to create and perform a joint performance. The joint performances aim at furthering the appreciation of equality of cultural diversities and the mutual enrichment of the modern musical styles of both Europe and its Mediterranean neighbours.

Participating artists: In addition to the young Italian, Polish, Jordanian musicians, artists, who have mediated parts of the Jewish and Arabic cultures, or the entwining of these cultures in several parts of the world, were also present at this event. Just to mention the possibly most characteristic figures of the Festival: among our guests were Shlomo Bar, who is of Moroccan-Jewish origin, Yair Dalal, who has been nominated for the World Music Prize of the BBC, but we could also mention Hani Naser, the many-sided percussionist and lute player originating from Jordan, who has played with world famous artists such as Santana, Jackson Brown, Ry Cooder, Hamza El Din, Paco De Lucia, or Lou Reed. Among the Hungarian musicians were such well known and outstanding artists as Mónika Mitzura, Mihály Borbély, Frenkie Látó, David Yengibarjan, or Said Tichiti.
 
 
 
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This document has been produced with the financial assistance of the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures. The contents of this document are the sole responsibility of Hungarian Museum of Trade and Tourism and can under no circumstances be regarded as reflecting the position of the Anna Lindh Foundation.
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