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Flamenco guitarist, composer, architect. Born in 1974 into a family of flamenco lovers where he was raised in a flamenco music environment. At the age of 12 he began learning to play the guitar. After his initial studies he took master classes from professional flamenco players such as Rafael Cortés, Salva del Real and Gerardo Núñez, which solidified his complete dedication to flamenco. In 1992, he formed a flamenco group gradually enlarging the numbers of the artists from a duo to septet. His group "Viva Flamenco!" plays both traditional and contemporary flamenco mixed with influences of Indian and Jazz music. Performing both as a solo artist and also with his musical group, Miguel has won first prizes in many folk festivals and is now the leading flamenco player in his country. He has performed and recorded with many great artists and groups and he concretised all over Poland as well as abroad (Austria, Germany, Italy, France, England, Belgium, Holland, Slovakia, Czech Republic, Hungary, Belarus, Oman and India). For several years he has been teaching flamenco guitar, and writing articles and interviews, promoting the art of flamenco music in magazines as "Flamenco International Magazine", "Jazz Forum" and "Swiat Gitary". In 1998, after a performance in Italy, he was invited to India to teach flamenco guitar at the Academy of Music and Fine Arts in Nagpur. There he started studying Indian music, learning to play the sitar under the guidance of Avaneendra Sheolikar. His fascination for flamenco and Indian music inspired him to go back to the roots of the Gypsy music and record CD titled Indialucia.

Indialucia is a musical project, which fuses two fascinating styles of music: Indian and Flamenco music. The album expresses both the human and musical fusion of these cultures, which could have had a common ancestor. Improvisation and rhythm are the common elements in both styles and are essential to the continued existence of this music. The recordings were made between 1999 and 2004 mostly in India and Spain. Many great artists from the two continents performed. This album is the result of the years of work, which for the first time demonstrates the common elements of flamenco and its Indian roots fused into one art form.
The album was distinguished with the 1st prize "Best Album of the Year 2005" Wirtualne Gesle and 2nd music critics' prize at the New Tradition competition for the "Folk Phonogram of 2005" award.
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Filip Krumes got his music education from Belgrade University of Arts, Faculty of Music and Royal Conservatory for Music, Drama and Dance in Antwerpen, Belgium where he had opportunity to explore improvisation in a style of the contemporary classical music. Filip devoted his artistic life to improvisation in various musical styles and its application to the contemporary musical language.

  He was member of the Balkan Music Club, band Hazars, founder of Turn Around Band and soloist, concertmaster and conductor of the Orchestra of Talents. Presently he is playing with bands Shira U'tfila, Belo platno and Gypsy jazz Hot Club of Belgrade.

He is president of the board of the Council of Arts in Pancevo, Serbia, member of the Committee for Evaluations of the Cultural and Artistic Projects in the city of Pancevo, Serbia and founding member of the Association of String Players of Serbia.

Filip performed as a soloist and member of various bands throughout Serbia, ex Yugoslavia, as well as in almost all countries of  European Union and has collaborated with number of Serbian and foreign musicians and bands of various musical genres.

In addition to being a performer, composer, arranger, and music producer, Filip makes and repairs string instruments. Besides music, Filip studied artistic photography.

As a member of the group of authors Filip was awarded The Best Movie Music Award at the Festival of Short Movies in Belgrade, Serbia.  As a member of band Shira U’tfila, Filip was a recipient of The Best World Music Band Award as well as The Audience Award at the IJMF in Amsterdam, Netherland
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Tahirovic Irfan , born on 07/02/1983 in Sarajevo (Bosnia and Herzegovina) is a musician and a composer who entered the music world at the time of the war in Bosnia, during which he was a refugee in several countries (Former Yugoslavia, Kosovo, Macedonia, Turkey, Sweden and Germany).


He mainly plays percussion instruments (Darbuka, Djembe, Congas, Bongos, Repenique, Caicha, Surdo, Cajon and Udu) and combines them at the same time.

His professional music career started in Munich with the band Trilogie der Lust“
After his return to Sarajevo in 2006 he joined the “Sarajevo Drum Orchestra“ (
www.sdo.ba) with which he played, until May 2007, Samba, African, Latino-American and Oriental rhythms.
In May 2007 he joined the cover band “Lana & Exhale“ (www.lanahamza.com) and performed with them in Sarajevo's and Bosnia's most popular clubs turning some world hits into Afro-Cuban, reggae or Latino-house rhythms.
At the same time he started to study the Balkan music and devoted himself in understanding and feeling the music he was playing. He attended many workshops in Macedonia, Serbia and Bosnia and had the honour to play and create music with remarkable musicians such as:
Izzet Kizil (percussion, Turkey), Giovani Falzone (trumpet, Italy), Francesco Berzatti (saxophone, Italy), Toni Kitanovski (guitar, Macedonia)

Soon after, he started to play with one of the most popular folk-singers in the Former Yugoslavia, Halid Beslic. After the 2009/10 winter tour with Halid Beslic (Zenica 10.000 people, Zagreb - 2 nights in a row - 50.000 people, Banja Luka 7.000 and Karlovac 6.000) he was called as a guest percussionist by one of the greatest Pop-Rock bands in the Former Yugoslavia, “Crvena Jabuka“ and played with them in Sarajevo's Olympic Hall “Zetra“ in front of 20.000 people.


At the moment he is recording an album with his Sevdah band “Divanhana“ and works with his Irfan Tahirovic Trio (www.irfantahirovictrio.tk) that was founded in November 2009.


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Ayman Mabrouk was born in Alexandria, Egypt in 1983. right in the deepness of the Arabic culture, He grew up listening and exploring many different oriental music styles, Egyptian, Turkish, Caucasian, North African, Azerbaijani and gulf Arabian, which formed the basis of his musical work today. He began to work professionally as a percussionist with some of the most respected bands of the traditional oriental music scene like the Alexandria Opera House Band and he soon established himself as a sought-after musician, well known for his authentic grasp of Arabic, Jazz, Flamenco, African and Latin American music styles. A few years later he has been featured on many television shows as well as at Jazz & World Music festivals in Egypt, Malta and Lebanon. Mastering a large variety of percussion instruments such as the Darbuka, Riq, Cajon, frame drums, congas, Azerbaijani naghara, bongos, Djembe and many others, he mixes those different cultural percussion instruments with some western ones like the snare drum, hi-hat, cymbals and other soft percussions for making a wonderful fusion of sound between all different cultures and identities, his musical influences today are derived from a combination of traditional Arabic and North African rhythms, gulf Arabian, flamenco, Latin American styles, Blues, Rock and jazz. Ayman Mabrouk has been appearing and sharing the stage with several famous artists like the “Grammy and BBC award winner” Fathy Salama and his band “Sharkiat” and the “Emmy award winner” German pianist Matthias Frey and the German Saxophonist Büdi Siebert and the “JPF U.S.A award winner” Spanish guitarist Fernando Perez and famous French rock singer Rodolphe Burger. Also he has been performing with many respected artists like the winner of the best Oud player in the world 2002 & 2004 “Hazem Chaheen”, world famous qanoun player “Hossam Shaker”, well-known Egyptian German Oud player “Basem Darwisch” and the member of international orchestra of Nay the Nay player “Mohamed Antar”. Also he had made many workshops with different artists like Lebanese saxophonist Toufic Farroukh and Lebanese Oud player and composer Charbel Rouhana and the German electronic music composer Tomath Brinkman. Mr. Mabrouk percussions are now featured on Fernando Perez and Mohamed Antar three new upcoming albums.
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Born in the town of Ejea de los Caballeros, Zaragoza, Fernando’s interest in music begun at the age of seven.
His first contact with classical music was throughout the conservatory of Spain. After these came numerous private instructors and music centers such as ’L’Aula de Musica’ in Barcelona, ‘Escuela de Musica Creativa’ in Madrid, ‘Musicians Institute’ in Hollywood, California, Maharaja Sawai Mansingh Sangeet Mahavidyalaya in Jaipur,India and Arabic Conservatoire du Musique d’Alexandria, Egypt.
In these centers he studied traditional, classical and contemporary music styles, as well as harmony, composition, arrangements, orchestration, sound engineering, and other special courses such as Film Scoring, Ethnic music, etc.

But his interest took him to learn more directly from artists and their cultures, traveling to different places to not only learn but to experience the spirit of the different musical styles.
Nowadays you can realize this experience throughout the talent of this artist who has performed with
artists from such exotic places as Hawai’i, Cuba, Jamaica, West Africa, Japan, South, Central and North America, Spain, France, Ireland, India, Egypt, etc.

The guitar has always been his passion, an instrument which he explores in its many forms, starting by the spanish classical guitar, acoustic, electric, Dobros or resophonic guitars and continuing with other
interesting ones such as african, hawaiian ki Ho'alu (Slack Key) and Kika Kila (Steel Guitar), the ‘slide’ style from Mississippi, Flamenco, or even the curious way of playing guitar in hindustani music found in India. He also explores new horizons reflected throughout his arrangements and compositions based on
instruments of different cultures; examples are the japanese Koto, chinese Pipa, or african  Ngoni and Kora.

In his performances Fernando has been a musical ambassador supported by the Embassy of Spain and Cervantes Institute representing the music of his native Spain.
He has collaborated with artists such as Shye Bent-Zur (Middle East-India), grammy winner Fathy Salama (Jazz/Arabic, Egypt) or his work with George Kahumoku (Hawaiian) in a Grammy Winning concert series called “Masters of Hawaiian Slack Key”. He has several published works representing the music of the major cultures in our planet performed on guitar and has presented them in renowned Theaters, Opera Houses as well as International Music Festivals in the five continents. Examples are: EarthSync Festival, India, Universal Expo 2009, Spain, Mediterranean Countries Dialogue Night, Egypt, Festival of Sufi Music 2009, El Cairo, Roxy Theater, Hollywood, U.S.A. Ritz Carlton Great Hall, Hawaii.

 Official Website: www.mojorootsmusic.com
 Youtube channel: www.youtube.com/user/mojorootsmusic

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Trumpet Player

Born on the 30th October 1973 in Guasila, a village in Sardinia like many others, situated in Trexenta a small region in the province of Cagliari. At the age of 9 learns the first rudimentals of the trumpet studying with the musical band, in the nearby village of Sanluri, directed by his uncle (his family, on his fathers side, boasts three generations of musicians.) Some years later he joins the academy of music and, parallel to his studies, applies himself to concert activities both classical (orchestral and soloist) and rock groups, jazz etc…
He transfers to Bologna where he became an active part of the musical scene, which is going through a fervid period of creativity. Plays in a wide variety of contexts, from experimental jazz to traditional, from Caribbean salsa to rom music of the Balkans etc. His concert activity is integrated with teaching both in private and with the famous Ivan Illich s popular school. After eight years in Bologna, aware of the declining phase the city was passing through in the artistic and cultural sphere, decides to return to his home town, to share with those who remained in Sardinia, the experience acquired outside the island…. Establishes bonds with some ”launeddas” players (holders of one of the most antique and complex musical traditions) learning himself this instrument and above all the practise of extempory traditional poetry of the Campidano, the southern part of Sardinia. Many years after his return to Sardinia he collaborates closely with local artists and emigrants with similar ideas (musicians, poets and writers) with whom he forms a sort of “congregation”. Actually collaborated with the Enzo Favata Tentet: "The New Made in Sardinia" and the project Voyage en Sardaigne. He played also with: Misha Mengelberg, Roswell Rudd, Lester Bowie, Tristan Honsinger, Lukas Ligeti, Steve Lacy, Elliot Sharp, Dragan Nikolic, Marko Markovic, Ivo Iliev, Sid Amhed Benbali, Miriam Palma, Saadet Turkoz, Michael Riessler, Gianni Gebbia, Giancarlo Schiaffini, Tiziano Tononi, Vinicio Capossela, Roy Paci, Paolo Angeli, Antonello Salis, Tanaka Yumiko, Andy Moor, Phillip Greenlief, Chris Cutler, Phil Minton, Francesco Cusa, poetries Alberto Masala, Serge Pey, Lance Henson, Jack Hirshmann; dancers Katleen Delaney, Carla Onni, Rita Spadola, Hisako Horikawa; the artist Anton Roca; the actress Antonella Puddu.
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Born and grown up in Massafra (TA) - Italy, he moved to Bologna where he studied music in the POPULAR SCHOOL OF MUSIC IVAN ILLICH, attending courses about drumset, traditional italian frame drums, caribbean percussions. He took part also to many workshops, deepening the techniques of improvisation with Fabrizio Puglisi, Tristan Honsinger, Bob Moses, Misha Mengelberg, Michael Riessler, Phil Minton, John Tilbury, Pierre Favre. He followed also workshops about brasilian music with Airto Moreira; about serbian traditional music with Dragan Nikolic; about iranian percussions with D.Chemirani; about gnawa ritual music with Omar Hayat and Essaouira's musicians, about arabian-andalusian percussions with Mohamed Acdur from the National Orchestra of Tangeri; about darbuka from Maghreb with Marzouk Mejri and many others about traditional music from South Italy. He has played as drummer or percussionist in many bands, among which: Grupo Cienfuegos from Milano, recording with them the CD Bacatà (Godagoda Records) in 2003; Bologna Klezmer Kapelye, recording with them the homonym CD in 2003. He has collaborated with many acting companies and writers and he appears in some movies. In the present time he plays with GRATTULA BEDDATTULA; with UCCELLACCI, (he published with them the homonym CD in 2004 for the label Etnagigante). He has collaborations with the bands Trimuzike from Milano and AbRe from Belgrade (Serbia) and with the singer Vincenzo Scruci. From 2005 he plays drumset in the variety show for teather THE NUZZO DI BIASE LIVE SHOW, of the actors Corrado Nuzzo and Maria Di Biase. In duo with the guitar player Antonio Stragapede he has recently began the precious collaborations with the brasilian poetress MARCIA THEOPHILO and the italian actor MARIO BARZAGHI. In 2002 he founded FANFARA BUREK, playing with it in the most important italian buskers festivals. Since May 2009 he is the drummer of the band ETNIA SUPER SANTOS. He has conducted for four years a music workshop in the underage prison of Bologna and teached drumset and percussions in the Popular School of Music Ivan Illich. He works in the DANCE STUDY CENTRE CHOREA of Bologna, making with the dancer MONICA GIANNINI workshops about instinctive movement and afro-contemporary dance. Recently he started to collaborate with the italian singer EVY ARNESANO, recording with her some tracks for the CD " La tipa ideale", and with the serbian bands BIZAR BAZAR and SVI NA POD, taking part to their incoming CDs, and performing in some live concerts .

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