A great exponent of bansuri music, Guillaume spent many years in intensive training under the living legend Hariprasad Chaurasia at the Vrindaban Gurukul in Mumbai (India) and recently under Pt Rajendra Prasanna from New-Delhi. With great dedication towards the bamboo flute and indian classical music, he was able to absorb the essence and authenticity of the tradition. Apart from his knowledge of the traditional repertoire and technical skills, Guillaume's lyrical and intense style leaves no-one untouched. His warm, rich tone and soulfull expression mesmerize. He has performed with various musicians in India such as Arnab Chakrabarty (sarod), Babulal Gandharva (inventor of the unique string instrument called "belabahar"), Rakesh Chaurasia (flute), Sri Nandakumar (mridangam), Ustad Rafat Khan & Zuber Shaikh (sitar), Anirban Roy Chowdhury & Naveen Gandharva (tabla)... and has accompagnied Hariprasad Chaurasia several times during "Krishna Janmashtami". In the west/Europe, he performed with Ustad Misirli Ahmet (darbuka) & Erkan Ogür (guitar/saaz) on "The Search" Tour in Turkey (2005), Levent Yildirim (darbuka), Saïd Chraibi (oud), Manu Eveno (from french pop band TRYO) at Quebec Summer Festival (2006), film-director Tony Gatlif on "Vertiges" Tour throughout Europe (2007), and many others... Now based in Paris, Guillaume performs on a local and international scale and often returns to India... He is a performer of north-indian traditional music recital as well as a full-time member of various world music ensembles such as FOULA (pop-world), ARBOLS with an album "La Danse du Papillon"(2006), MELODITERRANEE and MARC LIEBESKIND TRIO (ethno-jazz)... In solo-recital, he renders the three main styles of hindustani music known as dhrupad, khayal & thumri. He is a teacher of Indian Flute in France with an organization named Yaman. “Guillaume ushers in a potent challenge to the prevalent negative notions about the competence of non-native performers of Indian classical music. He belongs to an elite minority of foreign musicians who have absorbed the essence of this music and are able to reflect this in performance.” – Arnab Chakrabarty (sarod)
This document has been produced with the financial assistance of the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures. The contents of this document are the sole responsibility of Hungarian Museum of Trade and Tourism and can under no circumstances be regarded as reflecting the position of the Anna Lindh Foundation.